The Cinema Snob

- Season 15

(2021)

Heeeeere's Snobby. Our favorite pretentious cinephile starts the new year with the acclaimed Stanley Kubrick classic, The Shining.

After watching the tragic tale of Jack Torrance, the Cinema Snob needed something lighter to cleanse the palate: Child's Play 3, the weakest of the first three Chucky films, but one the Snob still finds endearing.

Just 'cause he's out of office doesn't mean we can't have one final laugh at his expense. The Cinema Snob checks out a low-budget CGI flick about a clone of Trump fighting aliens in a dystopian future.

For those who didn't think Dirty Harry had enough sexism, misogyny, womanizing, and sex, enter Dirty O'Neil. The Cinema Snob watches as this handsome beat cop seduces horny women with his "nightstick".

The Snob asked his Patreon sponsors to vote for this week's review and, as expected, they chose this rather uncomfortable but extremely hilarious romantic comedy about a lonely man stalking the girl of his dreams.

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Despite the title, the Cinema Snob may have taken a right turn into a so-bad-it's-great backwoods hillbilly horror film that spawned a million sequels and even an upcoming remake.

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Why bother checking out the long-awaited Snyder cut of Justice League, when you can settle for this boring, cheap, failed pilot for a television series? It's as if someone threw Power Rangers and Melrose Place into a blender.

Space movies seem to be mandatory for horror film series, and of course, Leprechaun is no exception. The Cinema Snob celebrates St. Patrick's Day by watching the Leprechaun troll a group of space marines.

With the big ape preparing to go toe to toe with the King of the Monsters in a week, the Cinema Snob looks back on Kong's humble beginnings.

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Now it's Pinhead's turn to go to outer space, as The Cinema Snob reviews the fourth film in the franchise: Hellraiser IV: Bloodline, to boldly go where no Cenobite has gone before.

The Cinema Snob reviews MST3K for it's 25th anniversary and also shows some love for This Island Earth.

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With the new Saw spin-off/sequel spiraling into theaters this week, the Cinema Snob looks back on the original torture horror classic that spawned a ton of sequels and a massive cult following.

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With the recent passing of comedic actor Charles Grodin, the Cinema Snob honors his legacy by looking at one of his weirder films, in which he gets terrorized by his 10-year-old nephew, Martin Short.

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Happy Fathers Day from The Cinema Snob. Even though the old Stepfather series ended when Jerry got turned into shredded wheat, someone hit the ol' reset button and gave us a remake. Will it still have the charm of the originals?

When the world needed him most, he returned. The Snob sets his sights on the Christiano Brothers again and reviews their religious take on The Twilight Zone.

Much like Reefer Madness made drugs out to be laughably worse than they really are, here's a movie that vilifies rock and roll. Though it's too early for Musical March (in September), the Snob gives it a long awaited look anyway.

With a familiar unlucky day set at the end of the week, the Cinema Snob returns to familiar territory and reviews Saturday the 14th Strikes Back, an in-name-only sequel about a possessed house that makes a weird family act even weirder.

In preparation for the upcoming film, the Cinema Snob reviews the original Candyman (1992), plus the sequels Candyman: Farewell to the Flesh (1995) and Candyman: Day of the Dead (1999).

The Cinema Snob reviews 5G Zombies, a movie that cashed in on the assumption that 5G towers helped spread the Covid-19 virus, which they did not, but they actually do turn people into zombies. For reals.

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Musical March (in September) 2021 has arrived, and the first number on the Snob's playlist involves the members of KISS having to save the world from a mad scientist.

Musical March (in September) brings us that long-requested western musical Paint Your Wagon. Is it as bland as The Simpsons said it was? Not if you love big-budget musicals about bigamy.

Long before they made South Park, Matt Stone and Trey Parker made a hilarious western musical about a Colorado cannibal. Musical March (in September) ventures back to the '90s and sees a million ways to die in the west (the good version).

Alas, Musical March (in September) 2021 takes a bow with one final number: Rhinestone. We know Sly can box, and he can shoot, but can he sing?

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With No Time to Die spying its way into theaters, the Cinema Snob finds time to review 007's fourth cinematic motion picture.

The Cinema Snob takes us back to 1976, when legendary comedian Paul Lynde and his friends put on a hilarious Halloween variety show.

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The Cinema Snob examines another important year in the history of film. To mark the 40th anniversary of 1981 (40 years ago? Good God!) he spotlights the best and worst films released in that year.

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If you thought the Snob wasn't going to review another heavy-handed Christian movie about the Rapture before the year was out, you were woefully mistaken.

When the Snob covered 1981 in film, one movie stuck out to him, and not in a good way. That film is Private Lessons, where a housekeeper seduces a 15-year-old boy as part of a contrived blackmail plot.

Decked out in his traditional Christmas PJs, the Cinema Snob gets ready to welcome the Christmas season. First up is a strange Netflix comedy by those wacky Brits, Father Christmas is Back.

Don't let the title fool you, this is not about the band KISS. This is yet another awkward Christmas rom-com about stereotypes kissing and falling in love in an elevator. Too bad it isn't the elevator from Devil.

The Cinema Snob and the Nostalgia Critic team up to review Black Christmas, the 2019 remake. A horror remake rated PG-13, that must mean it's good, right?

To celebrate his 40th birthday, the Cinema Snob looks back on a film that was released during the year of his birth. No better way to commemorate such an occasion than with a birthday themed slasher movie.

The Snob receives a belated Christmas present: a movie about a deranged lunatic donning the suit of Santa Claus and going on a yuletide killing spree. If the premise sounds familiar, it's because that other movie stole the idea from this.